Monday, October 8, 2007

Pasig River in Literature


Balagtas and the Pasig

The Pasig entered Philippine literature quietly and, as it were, edgewise. The introductory poem "Kay Celia" in Florante at Laura mentions in passing some of the topography surrounding the Pasig.

For instance, the lake:

Masayang nimpas sa lawa ng Bai,

also a small tributary in Pandacan:

sa ilog Beata't Hilom na mababaw;

The Pasig itself is called "Makati's river" since it flows by that village:

Linligawan ko ang inyong larawan
sa Makating ilog na kinalalagyan...

Miguel A. Bernad, S.J.
"Manila's River: The Pasig in Rizal and Paterno"


The Pasig of Rizal
Excerpts of Chapter 1 El Filibusterismo
Sic itur ad astra.

One morning in December the steamer Tabo was laboriously ascending the tortuous course of the Pasig, carrying a large crowd of passengers toward the province of La Laguna. She was a heavily built steamer, almost round, like the tabĂș from which she derived her name, quite dirty in spite of her pretensions to whiteness, majestic and grave from her leisurely motion. Altogether, she was held in great affection in that region, perhaps from her Tagalog name, or from the fact that she bore the characteristic impress of things in the country, representing something like a triumph over progress, a steamer that was not a steamer at all, an organism, stolid, imperfect yet unimpeachable, which, when it wished to pose as being rankly progressive, proudly contented itself with putting on a fresh coat of paint. Indeed, the happy steamer was genuinely Filipino! If a person were only reasonably considerate, she might even have been taken for the Ship of State, constructed, as she had been, under the inspection of Reverendos and IlustrĂ­simos ....

Bathed in the sunlight of a morning that made the waters of the river sparkle and the breezes rustle in the bending bamboo on its banks, there she goes with her white silhouette throwing out great clouds of smoke—the Ship of State, so the joke runs, also has the vice of smoking! The whistle shrieks at every moment, hoarse and commanding like a tyrant who would rule by shouting, so that no one onboard can hear his own thoughts. She menaces everything she meets: now she looks as though she would grind to bits the salambaw , insecure fishing apparatus which in their movements resemble skeletons of giants saluting an antediluvian tortoise; now she speeds straight toward the clumps of bamboo or against the amphibian structures, karihan , or wayside lunch-stands, which, amid gumamelas and other flowers, look like indecisive bathers who with their feet already in the water cannot bring themselves to make the final plunge; at times, following a sort of channel marked out in the river by tree-trunks, she moves along with a satisfied air, except when a sudden shock disturbs the passengers and throws them off their balance, all the result of a collision with a sand-bar which no one dreamed was there.

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